Mirror Mirror: Self-Portraits by Women Artists
The first chronicle of the whole story of female self portraiture through the centuries―a key work in the study of women’s art
For centuries, women’s self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vigée-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries.Country | USA |
Brand | Thames & Hudson |
Manufacturer | Thames & Hudson |
Binding | Hardcover |
ItemPartNumber | 200 illustrations, 150 in colour |
ReleaseDate | 2016-05-17 |
UnitCount | 1 |
Format | Illustrated |
EANs | 9780500239469 |