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OBSCENITY: Jodi Arias (A #SHAKEDOWN Title Book 4)
OBSCENITY is the 5th and penultimate narrative in the Jodi Arias series recounting a crime and a criminal that shocked America and the world. How and why has the horror of this case captured millions of imaginations for so long? And with the case now over, is there still more to learn?
True Crime maestro Lisa Wilson and freelance photojournalist Nick van der Leek are back to explore – brace yourselves – the reeking bowels of our humanity. Lurking bravely in the trenches of our sordid souls, they examine controversial topics such as sexual and societal taboos. From gluttony to lust, envy and sloth, the authors use their wit and laser sharp focus to slice and dice through this wretched case. OBSCENITY is not for the faint of heart.
Inside Perryville is one prisoner the like we’ve never seen before. She’s so notorious, a fellow inmate has started writing a book about her. Who is this twisted tricksy chameleon? Did Travis have any clue just how rotten she was?
Getting to the brutal heart of the matter, why did Jodi kill Travis not once but several times? Her murder of the young man is one of the exceptional grotesqueries in modern crime; a modern Jack the Ripper. Travis flailed and fought, with his lifeblood gushing out of his chest, Jodi – being Jodi – just wouldn’t stop. In court over the past several years Jodi still wasn’t done getting in a few more twists of the knife. What was going on in her heart of darkness? How does someone become so utterly deviant?
In OBSCENITY the authors also reveal additional private messages in an effort to further grasp the troubling dynamic between the two. And just when you thought it was safe to go outside, the authors resurrect some of the less than savoury characters met along the way. Surely it wouldn’t be OBSCENITY without a visit from Dodgy Darryl.
Through deep analysis, Lisa Wilson and Nick van der Leek leave no stone unturned in an effort to assemble the final pieces of this puzzle. Read OBSCENITY with a barf bag at the ready!
