Fingerstyle Guitar from Scratch - Picking Patterns for Vocal Accompaniment
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Fingerstyle Guitar from Scratch - Picking Patterns for Vocal Accompaniment
I took several years of classical guitar lessons during high school and the experience left an indelible impression on me. I didnt learn the term fingerstyle guitar until several years later, when I began playing picking patterns to accompany my voice on James Taylor songs. This book illustrates the basics, and the not-so-basics, of the Arpeggio Style and the Travis Style (alternating bass) forms of guitar vocal accompaniment.More specifically, youll be using your fingers to pick the individual notes out of common chords instead of strumming or picking those chords with a pick. Its just a kinder, gentler way to play rhythm guitar. Think of Dust in the Wind, Scarborough Fair, Landslide, Leader of the Band and Time in a Bottle. These are among the songs well use to explore this style.Fingerstyle accompaniment CAN lead, however, to what they call Solo Fingerstyle Guitar, where a melody line is woven into the fabric of the chordal accompaniment in such styles as blues, folk, country, jazz and Celtic music. In other words, you play a melody simultaneously with a bassline and some harmony. There are plenty of great printed, audio and video resources available to you for learning Solo Fingerstyle, once you have down the basics presented here.Learning the picking patterns themselves (presented in tablature, by the way) is fairly straightforward; the trick is in the coordination of the fretting and picking hands during the transitions from chord to chord. Fingerstyle Guitar From Scratch covers a number of principles that help you navigate through these changes without losing the beat (every musicians sacred quest). And the injection of classical technique will help you avoid a lot of bad habits and missed opportunities.The first part of the book concerns regular, plain old arpeggios, or broken chords, and the second part introduces the alternating bass, or Travis-Style, approach to playing arpeggios. You should recognize many of the examples used, as they come from popular m
