Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music

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Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music / Culture)

Winner of the ARSC's Award for Best Research (History) in Folk, Ethnic, or World Music (2008)

When Jamaican recording engineers Osbourne "King Tubby" Ruddock, Errol Thompson, and Lee "Scratch" Perry began crafting "dub" music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae's "golden age" of the late 1960s through the early 1980s. Dub involves remixing existing recordingsâ€•electronically improvising sound effects and altering vocal tracksâ€•to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub's development and offering the first thorough analysis of the music itself, author Michael Veal examines dub's social significance in Jamaican culture. He further explores the "dub revolution" that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe.
Country USA
Brand Wesleyan University Press
Manufacturer Wesleyan University Press
Binding Paperback
ItemPartNumber 9780819565723
UnitCount 1
Format Illustrated
EANs 9780819565723
ReleaseDate 0000-00-00

Country	USA
Brand	Wesleyan University Press
Manufacturer	Wesleyan University Press
Binding	Paperback
ItemPartNumber	9780819565723
UnitCount	1
Format	Illustrated
EANs	9780819565723
ReleaseDate	0000-00-00

Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music / Culture)

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